moltamole.com

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		<description>sonifying external and internal landscapes &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  weaving sonic experiences &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; digital myths &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;  &#38;nbsp; &#38;nbsp;&#38;nbsp; listening &#38;nbsp;&#38;nbsp; &#38;nbsp;  &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; tactile poetry&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;

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	moltamole

&#60;img width="954" height="1276" width_o="954" height_o="1276" data-src="https://freight.cargo.site/t/original/i/49ce380240aff1baac0a1fd2d94c10dc138742b976698716b05d6e1dbc7d9ad2/Screenshot-2024-02-19-at-21.22.31.png" data-mid="205136713" border="0"  src="https://freight.cargo.site/w/954/i/49ce380240aff1baac0a1fd2d94c10dc138742b976698716b05d6e1dbc7d9ad2/Screenshot-2024-02-19-at-21.22.31.png" /&#62;

︎︎︎ email
︎︎︎ instagram
︎︎︎&#38;nbsp;SC
︎︎︎ bandcamp︎︎︎ vimeoupcoming. collaborative projects


MEET YOURSELF AS A COLONIZERIMAGINARIUMmusic. selectedmoltamole · compulsive (feat Yoshii Swxdn)
moltamole · AQUATICVGN FRST · VGN FRST Abandoned Elements Mixmoltamole · ENTANGLED Soundscapes 02 Intense Breathing Scob


digital myths in progress. selectedmoltamole · VOICE CLONE Excerpt 02: He Said She Shouldnt Worrymoltamole · VOICE CLONE Excerpt 01: Original Sinmoltamole · whitney

	
moltamole: a CPH-based artist working within composition, installation, dance, theatre, and digital art. 
Sound serves as a medium through which she explores and absorbs external environments and sonifies inner emotional landscapes. The intimacy of her sonic meandering is often imbued with field recordings, voice, noise, ASMR, or poetry. Preoccupied with sonic tactility, she often weaves textural compositions and abstract soundscapes, believing that sound and listening can pose a tool for empathising with other humans and non-humans. A lot of her current work is conceptual, evolving around creating scores for composition and room sound design.Educated in electronic music [Catalyst, Berlin] and sound design [Den Danske Scenekunstskole, Copenhagen], her collaborations have brought her work to venues including Blaagaard Teater, Odense Teater, Skuespilhuset, INKONST, and Dansehallerne, as well as international contexts spanning Lebanon, Tunisia, South Korea, and northern Norway.


field recordings. selected

possible moistures by moltamole° and so we heard them melt by moltamole
Sonic Journals by moltamole


	overview of recent projects and artistic activity:&#38;nbsp;

2026: composition for Spillet om H20, a sensory, interactive performance created by Secret Hotel, Kolding Egnsteater, CPH stage
2026: composition for SMÅ SPIRER, a sensory dance performance created for children aged 4–7, by Beyond Darkness, Copenhagen
2026: sound design for ØRKENROSE, a country cabaret about female bodies, at Bådteatret, Copenhagen2025: HYPOGEA, a cross‑aesthetic performance exploring grief, death, and mourning by Beyond Darkness, Dansehallerne, Copenhagen

2025: KNÆFALD, a sensory theatre play at Asmild Kirke, Exit Stage, Viborg
2025:&#38;nbsp;BIOCOENOSIS by&#38;nbsp;Beyond Darkness,&#38;nbsp;an outdoor walking performance in Hareskoven, as a part of METROPOLIS
2025: The Dinner&#38;nbsp;by Persona non Grata, a dinner performance as a part of The Performance Bulletin, at Den Frie
2025: HYPHEA by&#38;nbsp;Beyond Darkness,&#38;nbsp;a culinary and performative experience set in complete darkness as a part of&#38;nbsp;The Performance Bulletin, at Den Frie
2025: HOUSE OF STORIES, a performance workshop with Theatre of The Women of the Camp, Borj El Barajneh, Beirut
2024/25: CRYING BY THE SEA a live performance installation happening simultaneously between two audiences in Tunisia and Denmark, with Den Postkulturalle Krop
2024: a voice clone multi channel sound installation MINOTAUR GRL as a part of RENDERED VOICE, Skissernas Museum, Lund 2024: DINOSAUR WORLD a puppet theatre production with PERSONA NO GRATA hosted by Malmö Dockteater at Potato, Potato, malmø
2024: CRYING BY THE SEA an artist residency with theatrebuilding.com at struer, sound art lab, resulting with a sound installation at&#38;nbsp; økocity 2.0, copenhagen
2024: YOUR HEART OUT artist residency with Ella Östlund and Ottavia Catenacci at S’ALA, sassari&#38;nbsp;
2024: sound &#38;amp; sound scupltures for TENDER, a performance centred around care, tactility and vibrations, with&#38;nbsp;beyond darkness, dansetippen, copenhagen
2023: sound for The Wedding, a play and a border-breaking project between Blaagaards Theater and Theater of the
Women of the Palestinian Camp in the Borj el Barajneh [Beirut, Hamanna, Copenhagen]
2023: audio-visual performance for kallelse #4, inkonst, malmø
2023: composition for Oceana, cosmopolis festival, greece [in collaboration with nanna elvin hansen]2023: multi-channel soundscape composition for GROUNDINGS, an exhibition by nanna elvin hansen at&#38;nbsp;O—Overgaden, copenhagen [in collaboration with hansen]
2023:&#38;nbsp;Watery Bodies by Giemaš, a field recording live radio pop-up, in collaboration with nanna elvin hansen at lávvonjárga, finnmark, norway
2023: digital mythology: MINOTAUR GRL, make sound recidency at inter arts center, malmø2022/ 2023: sound for tragiske måder at slå en kvinde ihjel på, odense teater 2022: sound for ENTANGLED, a performance installation by beyond darkness /in progress/2021/ 2022: merged binaural soundscape for scintillae, a performance fusioning active storytelling, dance, darkness and sensorial explorations with beyond darkness

2022: sound for INSTITUTIONEN, a graduation piece at the danish national school of performing arts, copenhagen
2022: sound assistance with heavy body, heavenly body by monia sander haj-mohamed, O—Overgaden, copenhagen
2022: mixing and specializing of a sound installation USE IT WELL by julie nymann and signe raunkjær holm, inter arts center, malmø
2022: composition for godsibb, a BA choreography by ottavia catenacci, copenhagen2021: sound installation for på jorden at teater momentum, odense
2021: sound assistance for øjne at teater momentum, odense2021: sound for a dance performance of nadja mattioli and kalliopi siganou at THE DEEP VOID, christianshavns beboerhus, copenhagen
2021: a score for #over borders 2, curated by jez riley french and pheobe law
2020: music/ soundscape for a bridge/ in case you will forget, a dance performance of ottavia catenacci at HANGARTFEST, italy2020: music/ soundscape for an array of university projects including plays ‘turister’ /copenhagen/ and ‘bikuben’ /århus/2019: music /soundscape/ for ‘to, co zostaje’, a short movie created by eliza godlewska and alan ruczynski /warsaw film school, polish film institute/music and soundscape releases:

2023: watery bodies by giemaš, a field recording vinyl release, together with Nanna Elvin Hansen2021: noisy harbors, a field recording release as a part of possible moistures compilation, for forms of minutiae, berlin
2019:
 particle soundscape, release, in collaboration with izzi s and julia e. parks /murmuration #2/ verdure engraved/2019: tobacco caye, sound maps for the dreamer III, release /sonospace/2019: blichtrtrwa, release, in collaboration with yoshii swxdn /FASRAT compilation/
 2019: sonic journals, release /bandcamp/2019: ° and so we heard them melt', release /bandcamp/ 
2019: sermiermiut II, publication /sonospace/ 

performances with VGN FRST:
2018: audiovisual performance at the event ‘stray signals’, in west germany
2017: audiovisual performance at ‘the future is female’, curated by angel karel, lyon 
2017: audiovisual performance ‘internal path’, and radio show at punctum krasova, prague
2017: audiovisual performance at ‘digital love’, curated by girls, blogfabrik, berlinrecent education:bachelor in sound, DDSKS, copenhagen
bachelor in electronic music production &#38;amp; performance degree, Catalyst, berlinelectronic music course, engelsholm højskolemore thoughts:
four questions
rørelser


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